Learn more about Mr. Darcy

Read an Interview by Bellaonline
with the author

Welcome from Janet Aylmer

Darcy's Story has been sold to
more than 150,000 readers in
over 40 countries around the world








                    Introduction to Darcy's Story, by author Janet Aylmer


Since "Pride and Prejudice" was first published nearly 200 years ago, it has become one of the best-loved novels in the English Language.  Like many other people, I first read the book whilst I was at school, as did my children, and have enjoyed reading the novel again many times since then. 

Modern media - radio, the cinema and television - have introduced "Pride and Prejudice" to many new audiences all around the world in recent years.  It was after watching the BBC television serial in 1995, and discussing it with one of my daughters, that my curiosity was re-awakened about Mr Darcy, and I decided to write this book for Rachel. That led to the idea that other people might also enjoy reading "Darcy's Story".

I saw the cinema film of "Pride and Prejudice" some years ago and can remember being very disappointed that the story was changed at the end. That seemed to me to distort the story as told by Jane Austen. So I started by making a conscious decision that the book must be totally faithful to "Pride and Prejudice" and not change that story at all.  

I looked very carefully at what the chronological sequence of events was in "Pride and Prejudice" and, almost as important, what Darcy would not have known about the story as told by Jane Austen. "Pride and Prejudice" covers a period lasting from the autumn of the first year to the winter of the second. Wickham's attempt to elope with Darcy's sister, Georgiana, had taken place before he met Elizabeth Bennet, although in "Pride and Prejudice" Darcy tells her about it in the letter after his proposal at the following Easter. So, in "Darcy's Story", Wickham's visit to Ramsgate to persuade Georgiana to elope with him comes near the beginning of the book.

Mr Darcy is only "present" in "Pride and Prejudice" for a few weeks at Netherfield (his friend Bingley's house) in the first autumn; for two to three weeks at his aunt Lady Catherine de Bourgh's house in Kent the following Easter; for a few days in Derbyshire in the summer; and then at the end of the story when he meets Elizabeth Bennet again in Hertfordshire. So Darcy's Story has to explain what happened before he went to Netherfield, whether it was just chance that he met Elizabeth Bennet again in Kent, and at last in Hertfordshire, and what happened in between.

A major decision was how much of Jane Austen's conversation between Darcy and Elizabeth Bennet to use.  Either Jane Austen's dialogue had to be changed into description only, or there needed to be some form of commentary to show that Darcy had a very different view of the situations and their conversations when he and Elizabeth were both present. I decided that the story would be more enjoyable if I used the second approach, even though that meant repeating some lengthy sections of dialogue which Jane wrote. What I could not do was use different words between them for the conversations which Jane Austen herself had "reported"!

I am sure that everyone who has read and enjoyed Jane Austen's novel has their own particular favourite passages in the book, and I used many of mine in Darcy's Story. As her novel was first published in several "parts", I also used quotations from "Pride and Prejudice" to introduce each of the seven parts in my book.

Every novel has a turning point, and "Darcy's Story" is no exception. Darcy's sister Georgiana seemed to me to have reached marriageable age in a story set in the 19th century, as had Elizabeth's youngest sister Lydia.  Georgiana was therefore at the point when she was changing from being Darcy's responsibility to becoming more his contemporary. So talking to Georgiana about his troubled frame of mind, after his first unsuccessful proposal to Elizabeth, fitted the story, and I made that the turning point in Darcy's "journey" to win the hand of the woman he loves.

Everyone who has ever read Jane Austen's novel will have their own idea of Mr Darcy's side of the story, and this book could be described as looking through the mirror of "Pride and Prejudice" from the other side. I am delighted that a story written nearly 200 years ago can still give pleasure in a very different era.  I have also been glad to learn that people much more knowledgeable than I am about Jane Austen and her work have also liked the book.

I have been surprised and delighted to discover that my need to know more about Jane Austen's hero  is shared by people all over the world.  At the time of writing, the book has been sold to readers not only in Great Britain and North America, but to others in more than 40 other countries around the world via the Internet. The publishers have received many letters and emails expressing the enjoyment that so many people have found in reading "Darcy’s Story".  It seems that complementing "Pride and Prejudice" by writing this book has satisfied a long-felt need for many readers.


      Author interview by BellaOnline's Literary Fiction Editor


Janet Aylmer - Author Interview

Mr. Darcy, from Jane Austen's Pride & Prejudice, continues to be an icon for many readers and writers but most only know him from the perspective of Elizabeth Bennet. Wouldn't it be nice to know Mr. Darcy's point-of-view? Janet Aylmer, a long time Jane Austen enthusiast didn't stop at wondering. She penned Darcy's Story in the dashing Fitzwilliam's perspective following the same events from Pride & Prejudice. Janet, who has been writing for own pleasure for ten years, also wrote --In the Footsteps of Jane Austen; Through Bath to Widcombe and Lyncombe. It's amazing she has time for anything with four children and a spouse to occupy her days in Bath, England. I hope you enjoy getting to know about this author's writing life.

Moe: Looking back was there something in particular that helped you to decide to become a writer? Were you a good writer as a child?

Janet Aylmer: I was thought at school to be good at English Language and English Literature, and have never found writing difficult. I have a law degree and a PhD, as well as two professional qualifications, so am very experienced in essay writing and assimilating large quantities of information. When I was working, I did a great deal of written work dealing with large amounts of detailed information and condensing that into concise and easy to follow reports.

Moe: What inspires you?

Janet Aylmer: Telling a story and/or explaining a subject competently that other people may need or want to know about.

Moe: Every writer has a method that works for them. Most of them vary like the wind while some seem to follow a pattern similar to other writers. On a typical writing day, how would you spend your time?

Janet Aylmer: Two or three concentrated hours a day are the best method for me. I skim what I have most recently written, before continuing with my task.

Moe: How long does it take for you to complete a book you would allow someone to read? Do you write right through or do you revise as you go along?

Janet Aylmer: Three months would be a reasonable estimate. I do not revise a great deal.

Moe: When you have your idea and sit down to write is any thought given to the genre and type of readers you'll have?

Janet Aylmer: Yes, it seems a courtesy to a potential audience/readership to avoid arrogance and make a book accessible and enjoyable.

Moe: When it comes to plotting, do you write freely or plan everything in advance?

Janet Aylmer: I plan generally, but then let the story/theme develop from there.

Moe: What kind of research do you do before and during a new book?

Janet Aylmer: I read thoroughly about people and places that are relevant, and keep careful notes where appropriate.

Moe: How much of yourself and the people you know manifest into your characters? Where do your characters come from? Where do you draw the line?

Janet Aylmer: I doubt that there are many writers whose work is not partly influenced by their own personality and interests. In the case of Darcy's Story, it was a constraint not to change Jane Austen's theme and outcome, but it would have been quite wrong to "compete" with her by putting different words into characters' mouths for scenes which she had already described from the heroine's point of view.

Moe: Writers often go on about writer's block. Do you ever suffer from it and what measures do you take to get past it?

Janet Aylmer: No, not really. I suppose that is because for so many years I needed to write to "time deadlines" for my job, and therefore could not indulge the luxury of having writers' block. Having said that, I have always sought to give myself some spare time at the end of a task, to give myself adequate time to reflect/review.

Moe: When someone reads one of your books for the first time, what do you hope they gain, feel or experience?

Janet Aylmer: An extra dimension on a subject that may already interest/intrigue them, and hopefully pleasure in having read the book.

Moe: Can you share three things you've learned about the business of writing since your first publication?

Janet Aylmer: 1. Gratitude that so many people have enjoyed my books and value them - with readers from more than 40 countries around the world in the case of Darcy's Story.
2. Not to worry too much that some people seem to want a different story/more sex/more length/less length etc. - everyone has different expectations and all are entitled to their opinions, good or bad.
3. Pleasure that something I enjoyed doing (writing the books) has continued to interest people - for more than 10 years (Darcy's Story was first published in the UK in 1996).

Moe: How do you handle fan mail?

Janet Aylmer: I always write back personally to everyone who writes to me. The first "fan" letter that I ever received in 1996 was from an older lady from Sheffield in England, who wrote two full sides of paper, starting with the words "Darcy's Story is an absolutely wonderful, thoughtful book; what an inspiration it was to write this story." I also had a very interesting correspondence with a lady from Finland, who wrote the most wonderful English in "a Jane Austen style", and yet could not get any of her own books published.

Moe: What's your latest book about? Where did you get the idea and how did you let the idea evolve?

Janet Aylmer: My latest (factual) book was inspired by a walk that Jane Austen took with a friend in 1801 when she was (unwillingly) house hunting in Bath with her mother after her father retired. She passed through the valley where I live, and I decided that it would be interesting to write what she would have seen in Bath at that time, and what changes there have been since.

Moe: What kind of books do you like to read?

Janet Aylmer: I am very fond of Georgette Heyer's novels, especially Frederica. I should like to emulate her by writing enjoyable novels with interesting characters and a touch of humour, as she did so often. I also enjoy history books, and books about how people can analyze their own thoughts and actions, and have a more enjoyable life as a result.

Moe: When you're not writing what do you do for fun?

Janet Aylmer: Eat well in good restaurants, when I can afford it. Travel, especially in France. And enjoy the company of my family and friends.

Moe: New writers are always trying to gleam advice from those with more experience. What suggestions do you have for new writers?

Janet Aylmer: They must first of all choose - is the book to be one other people might want to read, or is it to be one they really want to write?

Or can they write a book that combines these two very different aspects. There is no need to compromise your principles if you don't want to do so.

But writing is a solitary business, and I find a lot of self-discipline is needed. It is great to see one's own book in print, and even better to know people enjoy reading it.

So if you want to get your book into print, try to write something that others might want to read - test out your ideas on friends and family, and be prepared to make some modifications and changes if necessary.

Moe: If you weren't a writer what would you be?

Janet Aylmer: A historian.

Moe: What is your favourite word?

Janet Aylmer: Curiosity.

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